Hitchcock's Muse


20/30 directorsAlfred Hitchcock

"Film your murders like love scenes, and film your love scenes like murders."

Alfred Hitchcock | Films


Grace Kelly in Alfred Hitchcock’s To Catch a Thief (1955)

There is no terror in the bang, only in the anticipation of it. — Alfred Hitchcock


film meme » five directors [1/5]: Alfred Hitchcock

Five Facts about the “Master of Suspense”:

1. When Hitchcock was five years old, his father punished him for misbehaving by sending him to the police station with a note asking them to lock him up for ten minutes. As Hitchcock told it, the police followed through, putting him behind bars briefly and offering a lecture – and he never forgot it. Wrongful accusation and harsh punishment were frequent themes in his films.

2. Hitchcock was notorious for his supposed dislike of actors, but he denied believing that actors were “like cattle,” as he was reported to have said. His meticulous attention to detail did lead to clashes with actors who struggled with the discipline it took to shoot scenes over and over until they were perfect (and when you’re talking about scenes like the long, continuous shots in the  thriller Rope, each of which was up to 10 minutes long, that’s a lot of discipline). Hitchcock was public about his disdain for stars who couldn’t hack it and commit to his difficult production schedule 100%.

3. Another notable example of Hitchcock’s perfectionism comes from his classic horror film Psycho, starring Anthony Perkins and Janet Leigh. The iconic scene – just three minutes long – took seven days to shoot. Leigh, the unfortunate bather, spent most of that time in the shower. A popular rumor has Hitchcock turning cold water on Leigh to enhance her screams, but Leigh insisted that the director was generous with the hot water – and her screams were just great acting.

4. The term “MacGuffin” – a misleading piece of information in a film that seems important, but doesn’t contribute to the plot – was popularized by Hitchcock. He explained the nonsensical concept with this equally nonsensical story: “It might be a Scottish name, taken from a story about two men in a train. One man says ‘What’s that package up there in the baggage rack?,’ and the other answers ‘Oh, that’s a MacGuffin.’ The first one asks ‘What’s a MacGuffin?’ ‘Well,’ the other man says, ‘It’s an apparatus for trapping lions in the Scottish Highlands.’ The first man says ‘But there are no lions in the Scottish Highlands,’ and the other one answers ‘Well, then that’s no MacGuffin!’ So you see, a MacGuffin is nothing at all.”

5. If you’re a fan, you probably know that Hitchcock made cameo appearances in the majority of his films. In Lifeboat he appeared in a newspaper photograph; he carried a double bass in Strangers on a Train; he mailed a letter in Suspicion; he appeared in a class reunion photo in Dial M for Murder. The trend began with Hitchcock filling in for obscure extras, but as fans caught on and became delighted with his appearances, he made them more prominent – and he also began to place them early in the film, often within the first few minutes, to prevent moviegoers from watching so avidly for his cameo that they forgot to pay attention to the plot. [x]

Grace Kelly in ‘Rear Window’

Why would a man leave his apartment three times on a rainy night
with a suitcase and come back three times?


The Birds

On set, Alfred Hitchcock would always refer to Anthony Perkins as “Master Bates”.
Psycho (1960)


On set, Alfred Hitchcock would always refer to Anthony Perkins as “Master Bates”.

Psycho (1960)